Fucking Kawamori and his Unlimited Budget Works. If Aquarion was attempt to bring Macross Zero level mecha CG onto television screens EVOL surely is attempt at bringing Sayonara no Tsubasa level mecha CG onto television screens. Fucking lol’d hard when I saw their reaction to gattai scene: 😀 😀įirst episode of Aquarion was glorious clusteruck of pure fun and beyond god tier production values. Speaking of reactions, japanese ones are good too. It was unsuccessful (as an anime), but it had Kanno Yoko goodness, particularly in this variation of the first OP: That’s how I feel about the franchise as a whole. The best part is how the “useless couple” as they will refer to themselves, note how the film was not successful, but it had a great song. This is halfway between Macross: Do You Remember Love? getting discussed in an episode of Macross 7, and Bird Human being made as an in-universe film adaptation of Macross Zero in an episode of Macross Frontier. Instead I will note the significant thing in Aquarion EVOL is the metamasturbation (read: Kawamori “remembering love” for his own shows) this work immediately does, in Kawamori’s special way: He inserts an in-universe film version of the 2007 film Gekijoban Aquarion, and have the first leads fall over the film and perhaps each other. I could write a whole post on how EVOL basically animated Aria’s Neo Venezia so awesomely beautiful beyond anything even Aria the Origination can hope to do, then have a whole super robot battle fuck the whole place up. You think you’ve gone far into this post? We haven’t even started.

Incredible effort going into the production.

A talented (read: faggoty) creative team behind it going “what the hell.”.

Thus, this post is a metaphor for the anime: Then years later they made some more… then even later, they did it again! It’s the bad idea everyone was wary to do, but had the time of their lives making, and then well, now Aquarion exists. But I also truly believe everybody had fun making this show. There is probably a lot more bad, than there is ever any good in the whole thing.

Does the product have fucktons of “artistic” demerit? You bet.

I really think there are cherries here for the picking. Does the product have any “artistic” merit? It does.

Kawamori and his tribe grabbed each other’s genitalia and just had one orgiastic creative party. In the process of making this post, I figured it out. Why assemble the kind of talent that went behind these shows just for those reasons? But surely, there are more efficient and less expensive ways to make a buck and sell toys and music. Let’s put away the obvious reasons: make money, sell merchandise, etc. Why does this franchise exist? Why? I am asking a serious question.

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